All That Is Interesting

Nov 19

The tense and extravagant Baroque movement defined the art of the 17th century. The movement was distinguished by exaggerated dynamism and clear detail that aimed to create drama and grandeur in sculpture, painting and architecture.

The style is said to have started around 1600 in Rome before spreading across Europe. It was heavily influenced and encouraged by the Catholic church, which used it to communicate religious themes, war imagery, and aristocrats who appreciated the exuberance. The artists of the time focused on depicting natural images, steeped in intense emotions and exaggerated through the play of light and shadow. It was both simplistic and melodramatic in its form, glorifying the church and monarchy.

Though many artists cemented a place for themselves during the movement, the most renowned were Michelangelo Merisi da Caravaggio, Peter Paul Rubens and Rembrandt for painting, and Bernini for sculptures.


Michelangelo Merisi da Caravaggio, 1571 - 1610

[caption id=”attachment_914” align=”aligncenter” width=”750” caption=”The Incredulity of St. Thomas”]The Incredulity of St. Thomas[/caption]

Though technically a 16th century artist, the Italian Caravaggio significantly influenced Baroque art. His paintings were a clear departure from the art conventions of Mannerism - the dominant art form of the 16th century - with his dramatic use of light and shadow and his realistic depictions of objects and people. Caravaggio defined the use of chiaroscuro (artistic play of light and shadows), and through this use he was able to create realistic figures and saturate his art with drama and tension. These elements found their way into the works of the most important Baroque artists.

[caption id=”attachment_915” align=”aligncenter” width=”750” caption=”Francis of Assisi”]Francis of Assisi[/caption]

[caption id=”attachment_916” align=”aligncenter” width=”750” caption=”The Martyrdom of St. Matthew”]The Martyrdom of St. Matthew[/caption]

[caption id=”attachment_917” align=”aligncenter” width=”750” caption=”Bacchus”]Bacchus[/caption]


Peter Paul Rubens, 1577 - 1640

[caption align=”aligncenter” width=”750” caption=”Allegory on the Blessings of Peace”]Allegory on the Blessings of Peace[/caption]

Rubens was a prolific, and possibly the most famous, Baroque painter. His style mirrored Caravaggio closely and his work usually depicted religious figures. The main distinguishing element of Rubens art was the extreme emotion it expressed, but with minimal detail. He also had a penchant for painting curvaceous women, which gave rise to the term “Rubenesque” for full-figured women.

[caption align=”aligncenter” width=”750” caption=”Self-portrait”]Self-portrait[/caption]

[caption align=”aligncenter” width=”750” caption=”Consequences of War”]Consequences of War[/caption]

[caption align=”aligncenter” width=”750” caption=”Austria, Vienna, Cimon and Iphigenia”]
Austria, Vienna, Cimon and Iphigenia[/caption]


Rembrandt Harmenszoon van Rijn, 1606 – 1669

[caption align=”aligncenter” width=”750” caption=”The Holy Family”]The Holy Family[/caption]

Rembrandt was a great rival of Rubens and the leading Dutch artist of his time and in the centuries that followed. He was a pervasive artist who dabbled in sketching, oil painting and etching. Rembrandt’s Baroque paintings depicted biblical scenes, history, and self-portraits – a departure from the landscapes and still life’s his contemporaries painted. True to Baroque style, his works were dramatic and dynamic, and he was a master at handling glowing light against dark backgrounds, and using thick brush strokes to emote on the canvas.

[caption align=”aligncenter” width=”750” caption=”The Anatomy Lesson of Dr. Nicholaes Tulp”]The Anatomy Lesson of Dr. Nicholaes Tulp[/caption]

[caption align=”aligncenter” width=”750” caption=”The Bridal Couple”]The Bridal Couple[/caption]


Gian Lorenzo Bernini, 1598 – 1680


[caption align=”aligncenter” width=”750” caption=”Apollo and Daphne”]Apollo and Daphne[/caption]

Bernini was an Italian artist, the leading sculptor and architect of his age, and the successor of the renowned Michelangelo. His work was defined by his ability to combine dynamism, intense emotion and naturalism – the defining features of Baroque art – in his marble masterpieces. These pieces marked a clear departure from the austere, classical sculptures that lacked fluidity.

[caption id=”attachment_908” align=”aligncenter” width=”750” caption=”The Ecstacy of St. Theresa”]The Ecstacy of St. Theresa[/caption]

[caption id=”attachment_909” align=”aligncenter” width=”750” caption=”Beata Ludovica Albertoni “]Beata Ludovica Albertoni [/caption]

[caption id=”attachment_910” align=”aligncenter” width=”750” caption=”The Fountain of the Four Rivers”]The Fountain of the Four Rivers[/caption]